Black Butler: Season 1 Review

STORY

This show had such an interesting premise: an orphaned son of noblemen makes a contract to see his soul to a demon in exchange for the demon's help in seeking vengeance for his parents' murder. The demon takes the form of the boy's butler and will obey his every order until the killers are brought to justice. When that day comes, the demon will consume the boy's soul.

Great premise! And a good writer could have done a lot with it. Unfortunately, for me, the execution on the premise fell flat.

Starting, by the way, with the way most of the premise was rapidly unfolded within a few seconds in a montage scene at the beginning of the first episode. There's so much juiciness in the basic concept that I would have loved to have seen it unfolded slowly, like a good mystery. I would have loved to see at least an episode or two from the viewpoint of the other servants, wondering how the hell this creepy red-eyed butler gets all his shit done so perfectly, without the viewer's having had the benefit of Explanatory Expository Montage.

Instead, the show dumped it all upon us at once. Which I might have forgiven it if had something interesting to do. But it didn't. Most of the show consisted of a bunch of aimless, unconnected, useless, uninteresting filler episodes. Most of the episodes followed a Sherlock-Holmesian detective style, with Ciel (for some reason that the show did poorly at explaining) acting as the Queen's guard dog and investigating the supernatural mysteries. A few episodes here and there were interesting from a character perspective, but they were the exceptions.

Even the main plot itself, when it finally got going, felt sorely lacking. It was awfully forced, from a thematic point of view, and mostly incoherent without even satisfactorily resolving the central mysteries of why the Phantomhives were chosen for cleansing.

The season was at its best when it focused on the relationship between Ciel and Sebastien - especially when tension rose between them at the season's end. I wish they had done more with the relationship throughout the series to cap it off with that delicious ending. It felt as if the relationship stayed stagnant for most of the season . . . and then it ended just when things got interesting.

I should also note that the series suffered for its uneven tone. I appreciate that it was trying to mix humor with the dark, but that worked best when it came from Sebastien, and not when scenes of darkness were juxtaposed with sight gags from the Gaggle of Annoying Servants (see "Character" section below).

ANIMATION

Middle of the road. Some of the colors were a bit bright for my taste, but that's just personal preference. Nothing to write home about, although I did appreciate the attention to detail in animating in the Victorian era. The character designs obviously appealed to the man/boy love fangirl crowd, with a dash of Annoying Anime Girl and Androgynous Villain with Boobs for the fanboys. I suppose Ciel's English noble-boy wardrobe changes were fun to watch, but overall there was nothing particularly interesting about the character designs.

SOUND

I enjoyed the music for Black Butler. The opening and ending themes were not memorable, but the music during the show itself was appropriately foreboding and created a dark, brooding atmosphere.

I must also comment on the excellent voice work for the leads, Ciel and Sebastien. Brina Palencia did the English voice over for Ciel, and it was perfect: the way she enunciated each syllable and imbued it with haughtiness and contempt. Sebastien's voice actor also did good work. Even with the umpteenth repetition of "I'm simply one hell of a butler," I never tired of hearing his voice. I can't say the same for anyone else in the English dub, though.

CHARACTERS

The annoying character ratio on this show is off the charts. As in, the majority of characters on the show are extremely, extremely annoying.

Exhibit A: Lady Elizabeth, Ciel's Annoying Simpering Anime Girl betrothed, complete with squeaky shrieky high voice and no redeeming traits whatsoever. That episode where she was turned into a doll was deliciously freaky (and accurate). I was hoping she would die a rapid, horrible death, but, alas, no.

Exhibit B: The Gaggle of Annoying Servants, including Red-Haired Maid, with the awful shrieky cockney British accent, Super Strong Guy, with awful girly voice (a horrendous Jason Liebrecht!), and Annoying Cook, with no cooking skills. Oh, and I forgot to mention Old Butler Guy Who Deflates. Each servant also came with a suitably annoying voice (at least in the English version - sorry, Netflix only has the English dub). Toward the end of the series, the writers attempted to give the servants all interesting back stories, but by then I disliked them all so much that I didn't care. The servants were supposedly used for comedy, but mostly they were just annoying. Later, the servants were used as cheap emotional parlor tricks, but that failed because they were annoying and, hence, conveyed no emotional heft when they were put in peril.

Exhibit C: Red-Haired Scythe Grim Reaper, who was mostly a plot device, and not particularly interesting. Or funny. Fun character design, but that's about it.

Exhibit D: The Undertaker Reaper - also not particularly interesting. Or funny. Creepy, but not creepy enough to be interesting.

Exhibit E: Lau, the Chinese guy, who appeared in random episodes without my ever knowing who he was. It's still not clear to me whether I was supposed to have known who he was before the episode that actually focused on who he was.

All of the above greatly diminished my enjoyment of the show. The sole saving graces, I suppose, were the main characters, the arrogant and dark lord Ciel Phantomhive, and his black butler, Sebastien Michaelis. The erotic undertones of Sebastien's desire to devour his little lord's delicious soul made each interaction all the more fun to watch, and the show played up on this obvious theme quite well. From the character designs to the random scenes of Sebastien bathing Ciel, to Sebastien seeing Ciel in various states of undress, Black Butler made every detail feed back into and tease out the demon-master relationship. After all, the central premise of the show is that a demon wants to devour a child's soul: the show would have been remiss to not capitalize on the twisted perversions hinted by that premise. As it turns out, this was about the only thing the show did right.

OVERALL

I suppose I enjoyed watching the show, although so many of the characters annoyed me. Every time Lady Elizabeth appeared in an episode, I groaned. I found the mix of dark themes with the supernatural interesting, but the attempt to mix dark themes with humor was not always successful. Again, the central relationship between Ciel and Sebastien was the most interesting to watch - and I say this from a character standpoint, not because I particular enjoy man/boy love anime or found the characters attractive (which I didn't particularly).

But, as always, it came down to the story. Or, in this case, the lack thereof. Black Butler lacked a compelling enough story to support the interesting central characters and premise. The main plot felt thematically forced, instead of unfolding organically from the seeds of a planted mystery. The main villain was weak, one-note, and uninteresting, and hardly the dramatic equal of Sebastien.

Overall, the season was a mixed bag. I will not be watching the OVA or the second season.

Tales from Earthsea: Anime Review

An animated Studio Ghibli film by Miyazaki featuring magic and dragons and wizards! Can't go wrong, right?

Well... first let's clarify that it's not Hayao, but his son Goro Miyazaki in the directorial seat. Second, it's a Studio Ghibli film, so the animation will be gorgeous; that's a given. Third, I'll note that I have never read the series on which the film was based, so I have no opinions whatsoever about the film's supposed deviation therefrom.

My conclusion? Tales from Earthsea a beautifully drawn, breathtakingly rendered, but otherwise terrible film. I initially stopped watching because I found it unbearable. I then forced myself to finish after reading some positive reviews to see if the film's ending redeemed it; it did not.

STORY
The problem starts with a terrible story. I don't know what the books are like, but the film lacked any sense of narrative focus or cohesion, not to mention momentum. It goes something like this (SPOILERS at the end, so beware):

The movie begins with unexplained events that indicate that the world is out of balance. Then, Prince Arren commits an unspeakable, unexplained act of violence for no apparent reason and meets up with the wise wizard Sparrowhawk who, for some reason that escapes me, decides he wants to mentor this random stranger he met in the desert. The duo travel to a town for some reason that escapes me. The town has evil slavers that work for an evil wizard named Cob because, for some reason that escapes me, this is all necessary to the story. Prince Arren saves a girl with a scar from the slavers, but ends up getting captured himself. Sparrowhawk saves him, and the whole incident contributes little, if anything, to the story, except to show that (1) slavers are evil; (2) Sparrowhawk can do magic; (3) Sparrowhawk can and will rescue Arren.

Arren and Sparrowhawk then go to a woman named Tenar's house for no other apparent reason than to embark on a spirit-heartening farming trip. There, they find that ploughing the fields, playing with oxen, and getting in touch with God's green earth rights all that is bad with the world. Sparrowhawk leaves for a day and shit turns hairy when the slavers come and kidnap Tenar on Cob's behalf. Arren wanders off to run from his as yet unexplained demons and gets captured by evil wizard Cob. Cob, the evil looking drag queen, offers Arren a mysterious black-looking drink and claims in a creepy voice that it is no poison; for some as yet unexplained reason, Arren drinks it and then suddenly begins to mistrust Sparrowhawk, the man that saved his ass multiple times and has shown no signs of Saruman and only signs of Gandalf. In the meantime, Scarfaced girl wrestles free and runs to warn Sparrowhawk.

Sparrowhawk goes to Cob's castle to confront Tenar's kidnapper. His magic is useless for some poorly and hastily explained reason. Cob the Drag Queen sics Arren on Sparrowhawk, because he has learned Arren's "true name" and can thus control him, for some unexplained reason. Sparrowhawk is captured and taken to await execution. Meanwhile, Scarfaced girl follows an apparition of Arren--later revealed to be the "light" of Arren (please don't ask me what that means)--to Cob's castle, where she finds a conveniently opened side door and sneaks in.

Scarfaced girl then confronts Arren and asks him why he is acting so fucked up. He whines that no one should bother to save life if it will all just end in death. Oh, woe is Arren! What darkness lies yonder! Scarfaced girl makes what I'm sure was meant to be a heartfelt, uplifting speech about how fearing death means you fear life, and how it's all just one circle of life, mumbo jumbo, life-death yadda yadda. She utters Arren's true name and, voila, he breaks free of Cob's evil spell and values life and is now able to unsheath a magic sword for an as yet unexplained reason.

Arren now kicks some ass with magic sword, saving Sparrowhawk and Tenar from execution by jumping off a high building. Cob turns into some old creepy Voldemort-like thing--he's been trying to cheat death. Arren tries to stop Cob, but Cob chokes Scarfaced girl to death. Except that for some unexplained reason, SHE IS ACTUALLY A DRAGON and burns Cob's sorry drag-queened ass. Arren says, cool, now I have to go answer for the crime of patricide/regicide back in my hometown, but let's hug and hang some time, aiite? Dragon Scarfaced Girl says, yeah, thas coo'.

Yeah. That's the story, or the essence of it anyway. What the eff? Maybe some of these important details were explained, and I just missed them. But maybe I was too busy falling asleep or trying to keep my mind from wandering as one illogical, nonsensical event slooooowly tumbled into the next.

ANIMATION
The character design in this film was very simple--some might say too simple. Prince Arren was a rehashed and far inferior version of Ashitaka from Princess Mononoke, only Ashitaka's reindeer-mount and cloak were gifted to a different character, Sparrowhawk (aka Gandalf from Lord of the Rings, only less high on hobbitleaf). Scarfaced Girl was San from Princess Mononoke with facial scarring, longer hair, dingier clothes, and 10x less spunk and beauty. The characters barely had three different facial expressions throughout the film. But really, the character designs didn't bother me so much.

The landscapes and cityscapes were breathtakingly beautiful, and I found my eyes fixated on the backgrounds rather than the characters. It's good to know Studio Ghibli still knows how to make one helluvan awesome looking film.

SOUND
I have no complaints about the sound. The soundtrack was decent (and somewhat cheesy, but I'm okay with that), but mostly forgettable. I watched the dubbed version on Netflix and enjoyed Willem Defoe's delicious take as Cob, especially when accompanied with Cob's drag queen look. The other voice acting was fine. No complaints.

CHARACTERS
The characters in Earthsea had some potential, but the story did them few favors. So much more could have been done with these characters.

In Arren, we had a prince with a sordid past and a tangle of dark emotions and impulses--the makings of a fascinating character. He needed a coherent coming-of-age and redemption story, or else some clever variation from the traditional fantasy tropes. Instead, we got a mess of confusing dreams with lots of oozy black liquid.

In Scarfaced girl, we had a fierce, passionate foil to Arren that needed to come out of her shell. She does so literally and explodes into unexplained dragon-form, but her more figurative emergence is barely explored.

In Sparrowhawk, we had a wise mentor-figure who could help Arren grow. Except that he didn't really help Arren grow; he just saved him a few times and let him tag along and did some farming with him. And while Sparrowhawk's bout of powerlessness at Cob's castle was necessary for Arren to show what he could do, it was manufactured out of cheap, nonsensical plot devices. Come to think of it, aside from being "the archmage" who wanders around (doing what? I'm not sure), Sparrowhawk is pretty bland as a character.

And in Tenar, we had a warm motherly figure who had no real purpose in the story. Tenar needed to be a character in her own right, as opposed to the bland accompanying mother figure that she was. She needed a better fleshed out backstory, or something to define who she was as a person.

Cob was an acceptable villain, but fairly conventional and uninteresting. He was the drag queen version of Voldemort, except that he was capable of oozing. His goons, including the ugly head slaver, were far worse: totally one-dimensional and, unsurprisingly, evil.

OVERALL
Overall, I was sorely disappointed with Tales from Earthsea. I really, really wanted to like it and was excited to see that it had appeared on Netflix. But I found the lack of coherent narrative to be fatal to an otherwise beautiful, contemplative film. There were characters that I wanted to like, but couldn't, because they were given nothing interesting to do. Sorry, Goro, but Earthsea was a fail for me.